Last week at the Tahoe Flow Arts Festival I got to take a nifty class from Ronan on advanced flowers. The class was really centered around creating the kinds of fractal motions that Damien has been referring to as third-order motions and that have a variety of other names. Zan's diamond is one example and it's shown here accompanied by the technique Ronan uses to get there. Even more intriguing were fractal breakdowns for triquetras and box-mode flowers. The triquetra fractal really has my brain running in particular. It's demoed here in 3 different timing and direction combinations.

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This tutorial examines body tracers from the vantage point of thinking of them as two-beat weaves that shift position along the body and starts with a couple basic exercises and the theory behind them and moves into a few examples of the technique in action.

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Months ago I did a couple tech blogs on toroid flowers, that is flowers that are created by constantly plane-bending the poi around a circular hand path. The resulting corkscrew motion then loops back in upon itself, suggestion a circular tube and hence a toroid. Charlie and Ted had suggested to me that there was an antispin variant on this flower and showed it to me at Fall Wildfire last year. It's come up again both because it means our conception of inspin toroidal flowers was off and because it turns out it's closely related to some of the Arashi-based tech I've played with of late.

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Beginning the process of downloading all the tech from the past three weeks. This is a trick that Asaf (Poiboi) came up with that we used for a lot of our tunneling both at Kinetic and at Firedrums. The idea is to take horizontal cateye vs isolation and utilize some horizontal stacking to switch to the same move on the other side of the body. The spacing works due to that quirk of antispin flowers wherein they put the poi a unit circle distance apart 1/6th of the way around the handpath.

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More random combos I've been playing with--lots of stuff based upon the idea of breaking out of triquetra vs pendulum into various other patterns and back, plus a couple cool horizontal stacks with body tracers based upon some things Charlie, Alien Jon, and I played with back when they were in town and some ideas Ky Lee threw into the mix last weekend. Finally, some one-handed stuff I've been dying to put in a video and couldn't think of a better way to use :)

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This is an expansion of an idea from a previous video: when you take 3 downbeat flowers and perform them at a 2-poi length handpath, 1/6 of the way around the handpath there is a point where the distance between the intercept for the hand and its reflection across the horizontal axis of the pattern is one poi length. If we vary the combinations and phasing of 3 downbeat patterns, we wind up creating the alignments of all the major unit circle hybrids. Here are 4 examples of how this cool quirk of geometry can be used. Major thanks to Charlie for the help in figuring this one out.

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Taking a concept I've done and done to death, I wanted to add some out of phase flavoring to it. Taking the idea of the same time same direction hybrid Yuta taught me at Firedrums last year, I'm switching it up so that each hand has a different axis to perform its petals on and working through them in quarters. It's got a nifty quarter-time feel to it even as the poi stay in same time same direction all the way around.

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Guest-starring Noel Yee from the Vulcan Crew! We spent the weekend in rural Georgia at the inaugural FLAME Festival, tinkering around with stacking and tunneling between workshops. Here, the two of us demonstrate one of the patterns we came up with that involves each person turning with either an inspin or an antispin flower, alternating with pendulums to create a really kickin' interference pattern. Sorry in advance for the audio--we really were trying to project but it was damned windy out!

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This is something Charlie showed me nearly a year ago and that I hadn't really been working on that hard until recently. Geometrically, it's possible to go through each vertex of an octahedron without repeating any segments and Charlie had created an exercise wherein one does plane-shifts between each of these vertices to define an octahedron via constant 90 degree shifts. Here I demo two of the easier variants in same time same direction, split time same direction, and Charlie's preferred method of quarter-time. Be forewarned: this shit is hard!

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Here's an attempt to tie together a whole bunch of different threads from some recent videos both myself and some others have made. First up, e6 posted a video over the weekend about timing and direction where he pointed out the difficulties in making the traditional T&D combinations work with flowers that have an odd number of petals. In an odd bit of synchronicity, Justin Benson posted a video displaying an example of just that--wherein he takes a pentagram into split opposites by creating two pentagrams that reflect each other across a given axis.

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