Whoa...white balance what? Anys, I've done a lot of videos lately on the concept of the toroid flower, and I wanted to revisit it from a place of flow--that is how toroid flowers can be combined with other types of spinning, specifically the 2D spinning we're more traditionally used to. Outlined here are two methods: plane-bending a toroid into the traditional plane orientation or imagining toroids that overlap on a single point and therefore create a junction to switch from one to another. Happy flowing! :)

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There was a blink-and-you-might miss it moment in my video on timing and direction in toroid flowers that struck me as I was playing with them earlier today: namely, that toroids are direction agnostic. You can change the direction of the hand as you're performing one and keep the toroid in whatever mode you started in, be it antispin or isolation. This means that it inherits many of the mix-and-match capabilities from staff and clubs that we find with tools that aren't gravity dependent and opens up the field of what we can do with them a lot wider.

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200 tech blogs! This one is on how I've been working to create the hybrid families I've been frequently featuring in my videos over the course of the past year--I have two methods I use these days and this is the more visual one: finding the "lines" of the poi tricks to figure out how to switch between them. Sorry for the weird cuts--I had to get it under 15 minutes :-P

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A cool challenge popped up on the Tech Poi Group on Facebook about two weeks ago: the possibility of doing a triquetra hybrid that would incorporate the plane-bent triangle flower I've showed off now in a couple videos. David Foregger was kind enough to model it using his poi simulator and based on that I was able to sort out this pattern. The triangle here needs some cleaning up, but the gist of the move is definitely there. With the polishing I think this will be a really cool looking hybrid.

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Last week at the Tahoe Flow Arts Festival I got to take a nifty class from Ronan on advanced flowers. The class was really centered around creating the kinds of fractal motions that Damien has been referring to as third-order motions and that have a variety of other names. Zan's diamond is one example and it's shown here accompanied by the technique Ronan uses to get there. Even more intriguing were fractal breakdowns for triquetras and box-mode flowers. The triquetra fractal really has my brain running in particular. It's demoed here in 3 different timing and direction combinations.

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This tutorial examines body tracers from the vantage point of thinking of them as two-beat weaves that shift position along the body and starts with a couple basic exercises and the theory behind them and moves into a few examples of the technique in action.

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Months ago I did a couple tech blogs on toroid flowers, that is flowers that are created by constantly plane-bending the poi around a circular hand path. The resulting corkscrew motion then loops back in upon itself, suggestion a circular tube and hence a toroid. Charlie and Ted had suggested to me that there was an antispin variant on this flower and showed it to me at Fall Wildfire last year. It's come up again both because it means our conception of inspin toroidal flowers was off and because it turns out it's closely related to some of the Arashi-based tech I've played with of late.

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Beginning the process of downloading all the tech from the past three weeks. This is a trick that Asaf (Poiboi) came up with that we used for a lot of our tunneling both at Kinetic and at Firedrums. The idea is to take horizontal cateye vs isolation and utilize some horizontal stacking to switch to the same move on the other side of the body. The spacing works due to that quirk of antispin flowers wherein they put the poi a unit circle distance apart 1/6th of the way around the handpath.

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More random combos I've been playing with--lots of stuff based upon the idea of breaking out of triquetra vs pendulum into various other patterns and back, plus a couple cool horizontal stacks with body tracers based upon some things Charlie, Alien Jon, and I played with back when they were in town and some ideas Ky Lee threw into the mix last weekend. Finally, some one-handed stuff I've been dying to put in a video and couldn't think of a better way to use :)

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This is an expansion of an idea from a previous video: when you take 3 downbeat flowers and perform them at a 2-poi length handpath, 1/6 of the way around the handpath there is a point where the distance between the intercept for the hand and its reflection across the horizontal axis of the pattern is one poi length. If we vary the combinations and phasing of 3 downbeat patterns, we wind up creating the alignments of all the major unit circle hybrids. Here are 4 examples of how this cool quirk of geometry can be used. Major thanks to Charlie for the help in figuring this one out.

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