Another fun trick that came out of the retreat in Connecticut, Charlie on that Saturday night pulled out a fun box-mode move that utilized inspin and antispin stalls to define the corners of the box. I added a V vs. V transition to switch which corner the action was focused on and Charlie suggested using it as a setup for making a horizontal switch. We use this combo to create at 3D composite where we switch positions in the Wesleyan video.

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I spent the weekend hanging out with some of my very favorite spinners at Wesleyan University's Winter Fire Arts Festival. While there, Insignia suggested to me that I try horizontal stacks in atomic planes and a funky boxing pattern emerged. I realize before long that depending on the type of stack I was doing, that I could then plane shift out of it and resolve to a more familiar move. Thanks for the suggestion, Christian!

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A couple months ago I posted a tutorial on plane-changing that was heavily focused on vertical plane-shifts. Lately I've been playing with a couple exercises that have really been helping to nail down the stuff in floor plane and thought I'd share them. Enjoy!

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Just an experiment...editing my video instead of doing it as a single take. Please leave feedback and let me know what y'all think of doing it this way. Anys, today on the Poi Theory Group on Facebook, there was a fascinating discussion over horizontal stacking patterns and Leo (leospoi) lent us some of his expertise. He's been thinking of abbreviating the elements of these tricks with single letters to as a mnemonic device to make different combinations. With that in mind, here are three homogeneous patterns, three hybrids, and one possible CAP based upon this breakdown.

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In New York I had a funky breakthrough wherein I realized I could stick a horizontal cateye vs iso hybrid on either end of the horizontal stall stacking move Charlie came up with based upon Mel's pattern at Wildfire. Knowing this, I tied together a bunch of threads from the past couple months using moves that all incorporate this hybrid and thus treat it as a transition tool to get between them. Some cool things came out of playing with this.

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Another one of those funky things that's come out of the Facebook Tech Poi Group: a type of CAP based around an S-shaped handpath. You have to slightly change how you approach the antispin section to put the poi head in the right place. Here I demonstrate a couple patterns that utilize this shape with hands going split opposites. The first one is pretty clean but the second one needs work :-P These also mesh really well with a variant of G's floating triquetra pattern.

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Wow...I was super exhausted when I recorded this and it came out really sloppy. Hopefully y'all will forgive me for this :-P Anys, over the weekend in an effort to expand my vocabulary in horizontal plane, I tried adapting one of my favorite moves in vertical plane: back-to-back triquetras, and stick it into horizontal plane. Here are four variants: the first is just to take the move exactly as it is and bring the hands together near the head as you're switching back to the original position. Watch out! It's REALLY easy to club yourself in the head with this move.

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A lesson on plane shifting including basic components, building blocks, and a few examples. In honor of a departed member of the poi community.

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I got a lot of emails and comments last week asking me about a trick I had done during my performance at Wildfire's performance class last Sunday, specifically the one I'd done at roughly 2:30 in it. Here is an explanation of the move--it's a variant on Charlie's 8-step CAP pattern used as a transition between same time same direction hybrids and the wall plane antispin flower that's really a pair of triquetras that I tend to overuse frequently in performances. It's not earth-shattering, but I like the effect of it :)

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Remember that funky thing I played with last week that combined elements of CAPs, floats, stalls, and extensions? Well I put it into wallplane and found that just like it's wheelplane cousin, it opens up the doors to lots of transitions to wallplane CAPs, antispins, plane-shifts, and more. This pattern is reminding me more and more of Charlie's concept of totipotent patterns that can switch between timing and direction combinations.

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