While I was in Africa, I started playing with a funky pattern wherein one makes like they're going to do a CAP after 3/4 of an extension circle only to use the antispin petal as a stall and pull back out of it into a float. Putting it together with both hands results in a pattern that has some CAP-like qualities but ends in each hand and poi head being pointed straight out from center, opening up some interesting possibilities for transitions.

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Okay, I'm really torn on this one having seen the video now. The flower described to me as antispin in the comments section of the last video had an upbeat between two petals and downbeat between two other petals. What I'm performing here is the first geometry I could find that conformed to the shape, but watching it now I think it's just a 2-beat corkscrew performed as a floor-plane flower. The "spiral" based flowers I played with before all had the motion of the poi head oriented at all times on a plane perpendicular to the orientation of the hand.

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Having played a little bit more with the concept of toroidal flowers I looked at in #100, I'm beginning to believe that they may lack a distinction between antispin and inspin variants. Specifically, it seems that no matter how I orient the rotation of the poi head to my hand as I turn with them, it results in the same number of downbeats and thus I'm pretty sure the same distance traveled by the poi head.

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This past weekend at the PEX Summer Festival, Noel showed me this bitchin' pattern wherein one uses an isolated pendulum on the end of a pendulum vs. CAP antibrid to switch the orientation of the hand to poi lineup. This opens the door for some switches into hybrids, some point isolation switches, and even an inverted pattern based upon one that Charlie was playing with at Wildfire. There's more patterns to be found in here!

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Hooray! Lucky number 100! There have been some awesome tricks and some awful ones...some weeks when I had no idea what to post and some when I physically couldn't record enough video for all the ideas I had. Through it all I really have appreciated all the support and encouragement from the larger community out there. Thanks so much for tuning in, challenging me, learning, and teaching me!

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A bit of tech I started playing with at Firedrums that I'd totally forgotten about. After taking Ronan's Constructs class at FD, I started playing with a few of the patterns to see what hybrids were accessible from soft transitions out of the "constructs" he showed off. Here are the first two I found--both are iso vs. horizontal cateye antibrids that come out of pendulum hybrids performed a unit circle distance apart. I tried the first move in the latest Vulcan tech blog, but it was messy as hell. Here's what it looks like cleaned up.

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I've spent a big portion of the past week trying to polish my plane shifts from antispin flowers to horizontal plane antispins and I wanted to share a couple of the drills I've been doing to get there. Mostly I've been taking same-time opposites flowers and plane shifting out of the sideways stalls and then executing a 90 degree turn. Being as how there are two directions of same time opposites antispin flowers to work with, the big mind-bender I've been working on this past week is switching between these two types with every turn.

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This puts together a few threads that came out of Firedrums and Wildfire. It's basically just a couple different approaches to switching which hand is performing pendulum and which is performing triquetra in a hybrid. We can use either 1.5 stacking or a lockout to get us there--or both if we so choose!

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At Wildfire I got a good chance to run my transition theory through the ringer and I got some great feedback from some folks I really respected about it. One of the more fun collaborations was Sunday with Charlie and Justin. Charlie and I essentially hadn't slept and spent most of the day working out the theoretical framework in which hard, soft, and mixed transitions could be applied to plane bending and shifting. We came up with a couple new moves neither of us had ever seen before and laid the foundation for what I hope will be a really nifty expansion of the theory. Thanks, guys! :)

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I've been playing some more with the same time same direction patterns Yuta was showing off at Firedrums and trying to apply the concept to stacking patterns. While technically none of these are true stacks, they share some similarities in concept in how the hands change orientation in relation to each other. Going a bit down the rabbit-hole, here is a pattern that essentially amounts to performing a stack in all four directions and alternating between an antispin and extension transition to do it.

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