A follow-up from the toroid H concept from a couple weeks ago. This takes the same concept, but makes the toroid a ball instead of planet mode toroid and creates a cool stalling pattern out of it. Short but sweet--it's cold out there!

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This week we're tackling the Mt. Everest of inspin flowers: split time same direction. We'll use a similar approach to building this flower that we have in the other videos, but split-time variants require a bit more kinesthetic difficulty than any of the same time variations, so the road there is likely to be a little bit longer and take a bit more work. Next week: split-time opposites!

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This is a challenge that comes courtesy Dave "Honeybear" Foregger. While I was in Boston, he showed me a pentagram vs pentagram hybrid he'd been working on and it set my gears turning. It's a similar challenge to triangle vs triquetra, but the trochoid pentagram must travel much faster to stay in phase with the plane-bent variant, so synchronizing their movements can be a pain. This is also a great use of crane position done in different orientations.

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I didn't realize until I saw Noel's video on the stall combo out of triquetra vs pendulum last week that this move was actually one of those transition spots for a hybrid family and it opened up a whole bunch of moves all at once. Here are two hybrids, a stack, an antispin flower, and Noel's cool stalling move that all overlap on that position. The more of these hybrid families get isolated, we can treat them almost like a circle of fifths to move between different hybrid groups.

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The experiment continues! This is a series on how to do poi flowers. This week we're starting with basic inspin flower petal placement--how to train your body to find the four compass points of a 4-petal inspin and how to create both 2-petal and 4-petal flowers. Next week we'll talk about how to use both hands to create flowers together.

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I know this topic has been done to death, but in trying to come up with a way to classify toroids, I came to realize we've barely scratched the surface of them. Here I use the approach of imagining the axes around which we can move the plane of a toroid as being similar to the major axes inside an octahedron and choosing specific axes that are parallel with the arm, hand path, or neither.

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Here's an interesting idea inspired by Mel's recent video of his workshop on snakes: I'd noticed that when he was practicing tracing along his arm that it was somewhat reminiscent of a box mode antispin flower that had been somewhat squashed. This reminded me of a concept that had been thrown out on the old Tribe tech poi group: the snake eye. This was a trick wherein you'd take a snake but perform it in antispin, theoretically creating cateyes around your shoulder. While Mel's arm tracer definitely doesn't produce a cateye, it does seem very compatible with snakes. Here's the result.

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People frequently reference the math behind poi on many forums and groups, but it can seem a little daunting to folks that don't have that kind of background. Here's an attempt to level the playing field. A lot of this will be review for the more mathematically inclined folks out there, but for those who aren't, hopefully this will give you the Cliff's Notes as to some of the math we use to describe flowers and the like and make it a little bit more digestible. If you like this, please leave me feedback as I've got plans in my mind to do a whole series of these kinds of videos :)

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Last video we rolled through three different approaches to defining CAPs. Here is an alternate approach to breaking down such motions: a couple years ago, Alien Jon introduced me to the idea of spinning composites. Compositing is chaining together increments of poi movement that overlap in hand and poi position to either create repeatable patterns or transition and shift seamlessly between patterns.

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The question of what constituted a CAP recently came up both in the Tech Poi and Vulcan Tech Gospel groups on Facebook. Here are what I'd consider to be the three main approaches to describing a CAP--in my next video, I'm going to detail a slightly different approach to this question and some of the cool patterns that come not from trying to classify all the CAPs, but from taking the lessons that learning CAPs provide and applying them to more complex types of motion.

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