My last day at Firedrums I got in a one-on-one geeking session with Yuta and he showed me this lovely number. It's funky because it utilizes a type of spinning that we usually train ourselves out of very early on as poi spinners--same time same direction. Yuta's been playing with using this to create funky hybrid flowers similar to the type that Cyrille does with split-time same direction. This also evidently is where the static spin BTH vs CAP hybrid comes from. Enjoy!

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I'm back from Firedrums and managed to get a lot of footage of the event, though not nearly all the footage that I wanted to capture. One of the classes I really enjoyed was Russ's class on hybrids, though I think the patterns he taught us were actually much closer to being CAPs. Here are the patterns from that class--enjoy! :)

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A couple months ago I posted a video using plane-bends to switch between inspin and antispin flowers. G saw the vid and suggested I try the same technique in split-time same direction, so here it is! My right side isn't as clean as my left side, but I still think it's a cool effect. Enjoy!

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Nick Woolsey and G posted a video today that featured G doing a crazy kind of hybrid stall I'd never seen before. I got to playing with it and here is a fun pattern that came out of it, switching between CAP patterns with a split buzzsaw flower.

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Had an interesting revelation over the weekend: thus far all the work I've done on the concept of transition theory (hard and soft transitions) has been restricted to 2D epi and hypertrochoid shapes. While playing with a mixed transition CAP pattern over the weekend, I suddenly realized I could repeat the pattern without altering its character by switching to the plane behind me. Technically, such a transition means going to an ET relative to wheel plane, but it behaves like an IT due to conservation of angular momentum.

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It's been a while since I've broken out the doubles! This past weekend a friend and former student showed me an alternate way to perform a split-time opposites antispin flower with doubles that opened the door to figuring out how a couple friends from Virginia Beach are able to do a 6-petal variant of this same move. Basically: you switching from thumbs leading to pinkies leading. Here is a demo and detailed instructions.

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DerPoiBenne sent me an inquiry about doing a mixed transition with loop up top and extension down below inverted and it turns out it's doable with a stall. Here it is performed in split opposites such that one segment is antispin flower and the other is extension. I'd originally misunderstood what he was suggesting and did the loop as a major translation/linear isolation, so here is an interesting 4-step pattern using this property as well.

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 First up, a tip last week from a commenter on this blog gave me a critical piece of the puzzle for the isolated weave. It's not perfect, but it's at least recognizable as what it is now. Next, based upon the concept of doing a plane-bent "asterisk" like G does, at a recent spin jam it was suggested that one could think of the radiating spokes as behaving like the petals in flowers, so here are examples of two timing and direction combinations of this idea.

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This past week, Alien Jon posted a tech blog featuring a funky approach to creating compound circles that bears some similarities to Nick Woolsey's concept of no-beat windmills and how they relate to poi. As I've been playing with it, I've found it's also a funky way to create polyrhythm hybrids.

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My video blog is now a year old--huzzah! Starting off with a switch between hybrid stall switches and CAPs as shown by Mel in his latest performance video, I play around more with these types of stall switches and how you can plane shift with them or get in and out of them from any split-time same direction stall. Also, a stall pattern out of flowers demoed in a recent Nick Woolsey video, my hyperloops are looking better, and a short exploration of the type of horizontal antispin flower plane shifts that G has become famous for.

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