This move is a funky idea Charlie had at a spin jam at Koi Pound after Kinetic Fire Festival: use some body tracing hybrids in such a way that they stack together to produce a fountain-like motion.

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This is a challenge Ky threw out to a group of us hanging out at Kinetic: if a snake can be thought of as an isolation around the shoulder, can we then make it into a hybrid? Here are two examples: iso vs extension and iso vs cateye that expand on the idea.

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My tutorial on stalls weeks ago left out one very important option: top stalls. After several requests, I've done a tutorial just on that type of stall. Here are three different approaches to learning the technique.

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H/T to Thomas Johannson for this one, too! Thomas took the snaking fountain I'd worked up a few weeks ago and took it into a split opposites place. Cool as this was, I also realized it bore some strong similarities to a pattern I've seen Alien Jon do on occasion as well.

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Another in the wrap-up series from IgNight. This is a BTB 1.5-like move that Thomas "Nevisoul" Johannson came up with that had a lot of appreciators. Like Keith's move, this one isn't hugely difficult but has a lovely elegance to it that I appreciate.

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A fun move Keith Marshall came up with at IgNight--simple and yet quite elegant. The essential elements are to take vertically displaced hands working in split-opposites and use an extension and float to suggest a moment of split-time same direction before dropping the previously top hand via float into a static spin down below. Ronan, Thomas, and I all totally swooned for this when Keith came up with it.

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Capping off our series on tangles with the baddest tangle of them all: the orbital! If you haven't already, check out last week's tutorial on hyperloops because it'll be REALLY important this week (http://youtu.be/XB_Jjh70FDs).

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This comes from a FLAME challenge: Gina McGrath wanted to see a pentagram vs 2-petal inspin hybrid and Mike Parisi was the first to come up with a solution. I at first thought it was cheating because the hands oscillated between split and same time opposites but then realized what was actually happening was that both the patterns were completing simultaneously. Because the pentagram is a 1.5 downbeat move, it forces the pattern into this type of polyrhythm hand use. That set up a whole lot of exploration for different approaches to polyrhythms.

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This is one of those really obvious a ha moments I can't believe I didn't catch onto earlier: most of the transitions out of triquetra vs pendulum I've played with thus far have been at either the top, bottom, or side positions of the move. But if you attempt a transition at 45 degrees off of the top position, the poi heads are in the perfect position for a quarter-time transition! Here are three patterns that make use of this phenomenon.

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Last week we talked about air wraps and this week we're going to take that same idea and apply it to moving across the body. This is a concept known as a hyperloop and while it takes quite a bit of work to get to, it's a great stepping stone to getting to orbitals.

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