Yesterday I wrote about the many holes that had been poked in the theory of hybrid construction I posted a few weeks ago, among which are its incompatibility with any timings other than split-time or same time and the fact that it can't account for a static spin versus extension hybrid. Thus begs the question of how exactly we can define hybrids in a way that is extensible (ie, that works at any size shape we can image).

A couple weeks ago I posted a video conjecturing a new framework for understanding how poi hybrids are constructed--namely that they are examples of poi motion retaining multiple combinations of timing and direction. I've had a couple holes in this theory pointed out to me and I've come to see additional holes myself, so I'm putting together a breakdown of why my theory was flawed as well as laying the groundwork for a new theory based both upon this feedback and my own explorations.

First up, I have a new website that is now hosting all my videos and minutia: please visit me on the web at http://www.drexfactor.com

Next, a quick update to last week's musings on hybrid theory. A possible hole and a fix to it...beyond that, a reply from Alien Jon got my creative juices flowing and here are five results of thinking of CAPs as segments of motion and hybrids as opposing versions of the same types of motion. These are awkward but I can see a lot of possibilities as to where thinking of motion this way could lead.

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This past week, Insignia posted a note to Facebook trying to map out all hybrids by matching up all the driving styles he knew of: isolation, extension, cateye, antispin, pendulum, and CAP and going through them one-by-one till he'd identified all the combinations possible between them. Here is a demo of all the hybrids he listed (though I just realized I forgot cateye vs. CAP--whoops). Some of these have an interesting aesthetic value to them while some are just an utter pain in the ass.

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So I know there's been comparatively few updates recently and this has been especially frustrating given that some updates have disappeared in the past couple days as I've tried to work out why my blogger account has stopped feeding videos to my iTunes feed.

Still practicing hyperloops--I feel like I've got a lot of catching up to do with this, so repetition is key. I've also added under the legs moves to my catchup game for beginner to intermediate skills. Beyond that, I keep finding more stuff I love to do with CAPs. First up is taking the flower stall switch from last week and instead switching to a CAP. In wallplane, it creates a really cool pattern that I want to play with more.

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Two weeks ago at Boom Boat, Insignia showed off some spherical CAP ideas that really sent me back to the drawing board to see what was possible. Here are some of those ideas rendered, plus some more fun stall switching patterns and head orbit play.

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Waiting for an oil change gave me a perfect chance to try out some flow! Not terribly dancey or big in footwork, but there are some cool experiments with pendulums, wraps, and LOTS of plane-changing here. Not all of it works terribly well, but there are some cool transitions in here. Also--some attempts at dropping the spherical CAP pattern into flow. Enjoy!

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Starting off with an utterly bizarre pattern--the same-time opposites CAP performed with the extension in wall plane and the antispin petal in corkscrew plane. The idea for this came from a post Dyami made about the idea of a unit sphere on the Tech Poi forum of Tribe.net. I think the concept is a dead-end, but trying to prove it has led to some really interesting patterns, including a 3D triquetra I play with in here. Also, the transition from butterfly top-stall to hybrid that I couldn't include last week is in here and finally I'm working turns into my stall intensive.

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More fun with Yuta stalls! Specifically, it turns out that they work just as well with floats as they do with top and bottom stalls, opening the door to doing them in tandem with isolations, extensions, hybrids and cateyes. Also, some more footwork and danciness inspired by nightanddaydance's excellent response to my last blog. Had to trim a couple tricks out to keep it under 10 minutes, but they should be making an appearance in a later blog.

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