I've found that I've been doing a lot more body tracers of late and it's motivated me to try and find transitions for them that integrate with other moves I know well. One such transition that's working out pretty well is horizontal stacks. Here are a couple transitions using vertical body tracers that set up stacks fairly well and as I discovered while filming also then present an opportunity to switch between different body tracers.

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While I was in Boulder, Alien Jon and I spent an evening playing around with some movements based around creating right angles with inspin stalls and pendulums. Here are a couple variants we played with and a couple transitions one can use to get in and out of them.

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There's been some chat in the past week about zero points and how they differentiate from plane bends and even whether they do so at all. Here's my take on the concept (which, rarely enough for poi seems to be very internally logical ;) and how one can think of plane changing as being something of a sliding scale where on one end the poi stops moving (zero point) and on the other the hand stops moving (orbing).

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There was a blink-and-you-might miss it moment in my video on timing and direction in toroid flowers that struck me as I was playing with them earlier today: namely, that toroids are direction agnostic. You can change the direction of the hand as you're performing one and keep the toroid in whatever mode you started in, be it antispin or isolation. This means that it inherits many of the mix-and-match capabilities from staff and clubs that we find with tools that aren't gravity dependent and opens up the field of what we can do with them a lot wider.

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I forgot to bring my tripod to the studio, so the vid on finding hybrid families using QFT will have to wait for the next video. In the meantime, here's a nifty transition that takes elements from patterns that Ronan and G play with and merges them together in a fun and creative way. It utilizes CAP vs pendulum and lets you switch which hand is performing which move.

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An idea from a previous blog I wanted to explore a little bit more: the pendulum stall chasers from a few tech blogs ago included a brief note on using said trick as a transition between horizontal and vertical stacking. Here I explore the transition from the horizontal stack in a little bit more detail, taking my two favorite stacks and figuring out the transitions in and out of them into this pattern.

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In Tahoe, G showed me this nifty interior stall pattern he'd been playing with that I'd at first thought to be a mere curiosity. It involved searching for transitions where the hands were crossed and so were the poi, but as we continued to play with it, a nifty hybrid pattern came out and later G pointed out that Ronan's triquetra fractal could be used as an intermediary trick. Here are all the transitions we found that week.

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At Summer Wildfire this past weekend, Ted showed me a really nifty way to stall a hoop while shoulder hooping I'd never seen before. Normally when I stall, I do so by reaching up under and behind the hoop as it's about to pass by my shoulder and push it back the way it just came. This stall involves taking the hand out of the hoop and trapping it between the body and inside of the upper arm, squeezing it to send it back the other direction.

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Included in this odds and ends collection: a few variants on horizontal pendulum stall stacking and by popular demand some of the Arashi tech I've had on the blog lately rendered with glow so you can see the trails of the poi as they go along. Finally, a nifty hybrid e6 and I worked on this weekend--taking Arashi tech and hybridizing it with trochoid spinning. The result is ultra bizarre, but I think looks really cool.

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Here's another hybrid family based upon a particular poi orientation--this one being hands together and poi apart. Triquetra vs pendulum, Mel's horizontal stack, point isolation walking, and stall chasers all make use of this alignment. Like the other hybrid families I've demonstrated on this video blog, it's a great tool for transitions.

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