Some more fun toroid action based upon last week's work. It dawned on me as I was writing out the description for my video last week that many of the patterns we make with poi come down to creating trochoid derivatives of polygons our hands are nominally tracing out--but what if we used plane-bends to describe these shapes rather than creating the trochoids. Here I take this idea and apply it to Zan's diamond. Interestingly enough it takes a body through both directions of a buzz saw in vertical and horizontal plane.

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There's been some chat in the past week about zero points and how they differentiate from plane bends and even whether they do so at all. Here's my take on the concept (which, rarely enough for poi seems to be very internally logical ;) and how one can think of plane changing as being something of a sliding scale where on one end the poi stops moving (zero point) and on the other the hand stops moving (orbing).

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There was a blink-and-you-might miss it moment in my video on timing and direction in toroid flowers that struck me as I was playing with them earlier today: namely, that toroids are direction agnostic. You can change the direction of the hand as you're performing one and keep the toroid in whatever mode you started in, be it antispin or isolation. This means that it inherits many of the mix-and-match capabilities from staff and clubs that we find with tools that aren't gravity dependent and opens up the field of what we can do with them a lot wider.

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Over the weekend, e6 posted an awesome video exploring the toroid flower concept and really cleaning up some of the work with it to the point that the shapes are really reading and finding definition as something unique. It's inspired a lot of experiments this week, but I wanted to start with laying out all the four timing and direction combinations for these types of flowers. You can see Erik's original video here:

http://www.youtube.com/watch?v=bHsUwal8Ms0

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