Wow...I was super exhausted when I recorded this and it came out really sloppy. Hopefully y'all will forgive me for this :-P Anys, over the weekend in an effort to expand my vocabulary in horizontal plane, I tried adapting one of my favorite moves in vertical plane: back-to-back triquetras, and stick it into horizontal plane. Here are four variants: the first is just to take the move exactly as it is and bring the hands together near the head as you're switching back to the original position. Watch out! It's REALLY easy to club yourself in the head with this move.

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Just a funky pattern I played around with Sunday with Erik that it turns out yields some cool looking tunneling/composites. I took some video of the two of us doing the pattern together that I'll hopefully get posted in the next week. This is just a step-by-step of how the move is done.

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A lesson on plane shifting including basic components, building blocks, and a few examples. In honor of a departed member of the poi community.

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I got a lot of emails and comments last week asking me about a trick I had done during my performance at Wildfire's performance class last Sunday, specifically the one I'd done at roughly 2:30 in it. Here is an explanation of the move--it's a variant on Charlie's 8-step CAP pattern used as a transition between same time same direction hybrids and the wall plane antispin flower that's really a pair of triquetras that I tend to overuse frequently in performances. It's not earth-shattering, but I like the effect of it :)

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Over the weekend at Wildfire, we played around some more with Mel's top stall vs. pendulum pattern from the "Red Pants" video. Charlie found an interesting inversion of it wherein the leading hand performs a float rather than a topstall, making the internal alignment on each side a hand to poi relationship rather than hand to hand, thus allowing you to drop out of the move into static spin vs extension or a host of other moves. Even better, it's totally easy to switch between both variants.

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While I was in Africa, I started playing with a funky pattern wherein one makes like they're going to do a CAP after 3/4 of an extension circle only to use the antispin petal as a stall and pull back out of it into a float. Putting it together with both hands results in a pattern that has some CAP-like qualities but ends in each hand and poi head being pointed straight out from center, opening up some interesting possibilities for transitions.

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Hooray! Lucky number 100! There have been some awesome tricks and some awful ones...some weeks when I had no idea what to post and some when I physically couldn't record enough video for all the ideas I had. Through it all I really have appreciated all the support and encouragement from the larger community out there. Thanks so much for tuning in, challenging me, learning, and teaching me!

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Another one of those poi avenues that I've either barely touched or just haven't bothered to polish since I started playing with it: contact poi! In this case I've been working on the subtype wherein you're treating the poi head like a contact juggling ball. I'm totally awful at contact juggling (though learning), but I'm still trying to work through this related type of manipulation. Here are four manipulations that Elemensce helped me through at Wildfire and the tips that made them work.

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I've spent a big portion of the past week trying to polish my plane shifts from antispin flowers to horizontal plane antispins and I wanted to share a couple of the drills I've been doing to get there. Mostly I've been taking same-time opposites flowers and plane shifting out of the sideways stalls and then executing a 90 degree turn. Being as how there are two directions of same time opposites antispin flowers to work with, the big mind-bender I've been working on this past week is switching between these two types with every turn.

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Over the weekend, Zan posted an excellent tutorial video on diagonal planes, those bizarre bits of techery that came out of EJC this past summer. Zan breaks it down in such a way that it'll help you figure out how to keep your planes straight, some very basic diagonal transitions, and how to execute some pretty mean-looking turns with them. If this stuff intrigues you like it does, me give this vid a gander: