A follow-up to last week's poi math video. This one tells us how to determine the size of the hand path for poi when we're graphing out patterns using parametric equations. Includes properties of wavelength and amplitude among other nifty math concepts.

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This is a little bit of an experiment in interactivity with this vlog. I've played a lot in recent videos with the concept of a hybrid family--a move that will interlock with other moves at a specific or multiple positions. I've take this idea to the point where I can take some of my favorite moves and at each of the 4 compass points be able to transition to a completely different type of move. In this vid I demo triquetra vs pendulum and use it to switch to a point isolation, a windmill, a horizontal stack, and a unit circle hybrid.

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Last weekend we were fortunate to have a bunch of folks from out of town who utterly kick ass at their tools to play with. Lots of fun stuff came out of it when we got together for a spin jam on Sunday--here's a couple of the ideas we toyed with. Here we start off with hybrids and try to keep them continuous even as we are throwing one poi around. I'm finding it's easiest to use the poi tracing the smaller circle for this operation. Here we have static vs. extension and iso vs. extension with hands together.

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I must have done at least a dozen takes of this video...there are a lot of ideas I wanted to cram in here and kind of sketch out the line of thinking that led me to each of the conclusions outlined here, but it's hard to do that inside of ten minutes. Ultimately if this doesn't make sense, let me know which parts specifically and I'll do my best to clarify in later videos.

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By popular demand: a follow-up to my last hoop tutorial, this time on the horizontal equivalent of the cateye pattern I demoed last time. It breaks down in a very similar fashion to the vertical, but requires a bit more wrist strength at a couple intervals. I've also included a brief discussion on how you can use both vertical and horizontal cateyes in conjunction with isolations and extensions to flow between tricks. This is a variation on Alien Jon's unit circle theory. For more info on this, visit his YouTube channel. Enjoy! :)

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So I know there's been comparatively few updates recently and this has been especially frustrating given that some updates have disappeared in the past couple days as I've tried to work out why my blogger account has stopped feeding videos to my iTunes feed.

The past few weeks in my video blog, I've played with the concept of taking our current understanding of elliptical CAPs and translating them into 3-D shapes. I dubbed the concept "spherical CAPs" but I'm now starting to question if it's either accurate or actually descriptive of the concept. Here's why:

Starting off with an utterly bizarre pattern--the same-time opposites CAP performed with the extension in wall plane and the antispin petal in corkscrew plane. The idea for this came from a post Dyami made about the idea of a unit sphere on the Tech Poi forum of Tribe.net. I think the concept is a dead-end, but trying to prove it has led to some really interesting patterns, including a 3D triquetra I play with in here. Also, the transition from butterfly top-stall to hybrid that I couldn't include last week is in here and finally I'm working turns into my stall intensive.

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Dyami started up this thread on Tribe about two weeks ago: http://techpoi.tribe.net/thread/37590299-0963-4197-befb-3d7fbcf007ce

In it, he's taking Alien Jon's concept of the unit circle and pondering whether it can be applied to 3D geometry to create a similar family of moves that work within the path of a sphere.