After uploading my vid on isobend hybrids (http://youtu.be/o20Lmbo8nn0), Kory San pointed out to me that there would be at least two variants on each pattern because the isobends can be performed either with the poi always rotating away from the performer or toward. With that in mind, here is a demo of all hand T&D with the poi moving both inward, outward, and both (which in some cases yields movement in split-same and in some cases yields movement in opposites).

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A few weeks ago, I posted a video showing 3/5 time for antispin pentagrams and now I've (kind of) got it with toroids--the active issue here of course being how you avoid them tangling with each other mid-move. It turns out the recipe for this is to take Arashi's concept of a crane and apply it to each separate set of corners of the toroid.

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Here's a fun game I came up with the other day to help solidify one's command of timing and direction: put on your favorite piece of music and alternate 8-counts. On the odd 8-counts, you do whatever moves in that timing and direction suit you and on the even 8-counts you freeze in place and maintain timing and direction no matter where your hands land. Fun challenge!

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Having problems getting your stalls down? Here's the first part of a workout, that if you can master it will give you access to nearly any stall you could possibly want to play with. It bears some resemblance to Yuta's 8 stall theory but applies to every timing and direction combination.

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At Burning Man this year, Arashi took me through his approach to spinning in atomics. It took a couple hours, but ultimately I came to understand it was a system with significant differences to other 3D systems I was familiar with--most notably with Maiki Nope's 3D timing and direction system. Here's a brief encapsulation of the idea.

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I got a nifty challenge at Kinetic Fire Festival to perform a Zan's diamond toroid in same time opposites but to have the poi phased in same time opposites as well. It resulted in a pattern where the verticals remain in opposites but the horizontals switch to split time same direction. Strangely enough, if you try doing the same pattern in split time same direction both with poi and hands, the timing and direction remains consistent throughout the pattern. I'm taking this to mean that a lot of our rules for timing and direction no longer apply in the toroid world.

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The final installment of our first beginners series: in this one we'll take what we know about turning and tick-tacks and apply them to turns between wheel and wall plane in all the different timing and direction combinations. Once you've mastered each of these positions, you can easily flow between them as you perform.

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This week we go through the basic hip reel turn with our poi in same time, same direction. This teaches a very important concept in poi: when we turn, it appears the direction of poi rotation changes relative to us. Next week we'll go through hip reels in other timing and direction combinations.

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A couple weeks ago, I posted a video of Arashi teaching a class at Firedrums and in it, I was struck by the fact that his "crane" atom had a strong resemblance to together-L in Maiki Nope's breakdown of atomic planes for clubs and poi. If this similarity bears out, it would mean in essence that there are 3 different atomics that can be spun from a variety of angles, depending on the perspective of the viewer. Atomic spinners: how does this gel with the world you play in?

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