More STSD hybridy goodness! This time I'm taking the concept of an 8-step CAP with it a little more literally and utilizing the space created by CAP vs BTH static to take the CAP hand around in an 8-step pattern while maintaining the STSD synchronization with the BTH hand.

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Taking a concept I've done and done to death, I wanted to add some out of phase flavoring to it. Taking the idea of the same time same direction hybrid Yuta taught me at Firedrums last year, I'm switching it up so that each hand has a different axis to perform its petals on and working through them in quarters. It's got a nifty quarter-time feel to it even as the poi stay in same time same direction all the way around.

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Guest-starring Noel Yee from the Vulcan Crew! We spent the weekend in rural Georgia at the inaugural FLAME Festival, tinkering around with stacking and tunneling between workshops. Here, the two of us demonstrate one of the patterns we came up with that involves each person turning with either an inspin or an antispin flower, alternating with pendulums to create a really kickin' interference pattern. Sorry in advance for the audio--we really were trying to project but it was damned windy out!

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This one has been rolling around in my head for a long time...trying to make a contact roll one of the beats of a reverse 3-beat weave and it's a doozy. The idea here is to substitute an elbow pit catch and roll where you would normally have the beat under to the other side and instead have your native hand lead the turn back to its own side. Ironically, after woodshedding the hell out of this trick and seeing it on video I think it may not actually be as visually compelling as the amount of work it takes to make it happen. Oh, well :-P

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This is something Charlie showed me nearly a year ago and that I hadn't really been working on that hard until recently. Geometrically, it's possible to go through each vertex of an octahedron without repeating any segments and Charlie had created an exercise wherein one does plane-shifts between each of these vertices to define an octahedron via constant 90 degree shifts. Here I demo two of the easier variants in same time same direction, split time same direction, and Charlie's preferred method of quarter-time. Be forewarned: this shit is hard!

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Here's an attempt to tie together a whole bunch of different threads from some recent videos both myself and some others have made. First up, e6 posted a video over the weekend about timing and direction where he pointed out the difficulties in making the traditional T&D combinations work with flowers that have an odd number of petals. In an odd bit of synchronicity, Justin Benson posted a video displaying an example of just that--wherein he takes a pentagram into split opposites by creating two pentagrams that reflect each other across a given axis.

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A couple weeks ago, Poiboi uploaded a new tech video and as I was watching it, I noticed an element of his style that had escaped me before but presented a good opportunity to woodshed a poi element I rarely use: throws. Specifically, I noticed that Poiboi frequently uses isolated throws to accomplish his timing and direction changes rather than 1.5s or stalls. I've been playing in the past week with doing isolated throws in all the same-time configurations I can think of, both in the same direction and not, plane-shifted, etc. Here are some of the results.

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A couple cool ideas based upon triquetra vs pendulum, which kind of fudges the triquetra pattern to create something more akin to two different flowers cut and pasted together. Here I take the same idea and apply it to triquetras and 6-petal antispin flowers to create a new composite and hybridize it both with another triquetra and triquetra's inspin equivalent: 1-petal inspin. Note to self: when recording a video on St. Patrick's Day, do the video before the drinking begins--otherwise I talk a record sped up to double speed :-P

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Last week Charlie posted a video to the Facebook Tech Poi Group of an 8-step CAP based in a 2-petal inspin vs 4-petal antispin hybrid. Having encountered this hybrid before when learning same time same direction hybrids from Yuta at last year's Firedrums, I realized that for any hybrid where you combine an inspin and antispin flower that have the same number of downbeats, they will maintain a constant timing and direction all the way around the pattern. Here are three examples in both same time same direction and split time same direction.

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Here is a grab-bag of combos inspired by Noel's recent vid on horizontal stacking flow and Poiboi's latest opus to his own form of poi wizardry. Some of these even integrate elements of both styles, but by and large I just had a lot of combo ideas and no idea how to present them. Thankfully it also gave me a perfect opportunity to use a track my friend Conway (Mr. Jennings) dropped on New Year's Eve and has been tickling my ears ever since.

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