Last week, a poi spinner by the name of Joe Graff stopped into DC and e6 and I got the chance to hang out and spin with him in Malcolm X Park. He showed off a type of stacking I'd seen in videos but hadn't quite parsed out, but when performed in person realized represented an approach to compounding horizontal stacks that opened the door for switching up the alignments of poi and hand in many of the stacks that we play with.

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A random bit of inspiration: I picked up a book a lot of friends have recommended to me at the closing sale of the Borders close to where I teach poi in Silver Spring called Quadrivium. It includes chapters on sacred geometry and platonic solids as well as a device that was the 19th century equivalent of the spirograph: the harmonograph.

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This is a little bit of an experiment in interactivity with this vlog. I've played a lot in recent videos with the concept of a hybrid family--a move that will interlock with other moves at a specific or multiple positions. I've take this idea to the point where I can take some of my favorite moves and at each of the 4 compass points be able to transition to a completely different type of move. In this vid I demo triquetra vs pendulum and use it to switch to a point isolation, a windmill, a horizontal stack, and a unit circle hybrid.

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By popular request, here is the breakdown of how I do the plane-bendy diagonal thing from my last odds and ends video. It's essentially just a corkscrew with a lockout on either side that has been plane-bent to put the lockouts in a diagonal plane. One of the cool things about this, then, is that it integrates well with another diagonal plane-bending move that Alien Jon demoed in the Arizona Transmission video a couple years ago.

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Part 2 in my series on beginner level inversion and introversion play. Last video we practiced individual elements of these moves and here we combine them together--first by taking any 2 together, then all 3, then a funky fountain variant that utilizes the type that seems like an airwrap or hyperloop. There's plenty more fun down this well, so be sure to check out some of Alien Jon, Ky Lee, Christian, and Baz's videos for more inverted goodness.

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I've finally taken the plunge and have begun to attack one of those techniques in the poi world that I've spent the past four years avoiding like the plague: inversions and introversions. I don't fully understand the difference just yet, but having seen some really innovative work come out of this technique in the past few years from Insignia, Charlie, Alien Jon, and Ky I decided it was time to learn :) Here are some very basic elements of these movements to begin drilling that will add up to some more complex patterns in my next video.

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This is totally one of those tricks I didn't know if I was ever going to get, but fortunately Leo's recent video on body tracers showed a possible shortcut that worked out beautifully: by treating each side of a behind the back waistwrap as a 2-beat, one can train each hand to do its part of a behind the back crosser. The result needs some cleaning up, but it's a useful shortcut for folks with inflexible shoulders like my own.

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A couple weeks ago I started playing with a variant on a stacking move I've seen Mel and Poiboi play with, but changed what I perceived the timing and direction of the pattern to be. The result felt asymmetric and so after learning it on both sides, I set about figuring out how to switch between them using a wallplane flower in antispin. I then realized it fits in well with the hybrid family I demoed a couple tech blogs back and threw in a triquetra vs pendulum for good measure.

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Erik (e6) made a request on the Facebook Tech Poi Group for those of us who regularly post tech blogs to post vids of what drills we happen to be playing with these days. Here are three drills that run the gamut of contact to plane-bending.

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Part 3 of my Arashi wrap-up series from Firedrums. In this video we talk about creating longer and larger versions of the patterns from the first two videos by using cateyes instead of static spin circles to keep the patterns from overlapping with one's body.

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