So here's an interesting thing you can do with plane bending: if you displace a 4-petal antispin flower in three dimensions such that it changes plane as it enters and exits a petal, you wind up creating an interesting illusion wherein from one perspective it continues to look like a 4-petal antispin flower but from another it looks like a 2-petal inspin flower. You can use this, then, to create patterns where you're not only spinning a different type of flower from a different perspective, but also a different timing and direction.

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This is kinda retro tech, but it still leads to some fun places. Using static spin vs 1-petal inspin creates a moment that makes for an easy transition to a split-same isolation. You can use that moment to switch to static spin vs 1-petal inspin with each hand's role reversed or any number of patterns that use linear isolations through the body center.

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Mashing up the isobend-4 toroid with all the even-petalled flowers, here are all timing and direction combinations, including both wheel and wall plane together opposites. For the background on isobend toroids and how they relate to antibend and probend, check out this video here: http://youtu.be/IrS-NdpnEHo

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A few weeks ago, Alex Powell uploaded a great video of some interesting hybrids utilizing toroids in an atomic configuration. I started working on these same hybrids in other timing and direction combinations as well as some pendulum-based toroid hybrids after taking a pendulums class from Ronan in Tahoe. Here are the results.

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Back at FLAME Festival in Georgia, Kory San and I had an interesting conversation after watching some of Ted Petrosky's body tracers. We realized that many of the body tracers he was performing could also be considered hybrids and we wondered then whether all hybrids that mashed up inspin and antispin flowers would have body tracer corollaries.

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Back at FLAME Festival in Georgia, Kory San and I had an interesting conversation after watching some of Ted Petrosky's body tracers. We realized that many of the body tracers he was performing could also be considered hybrids and we wondered then whether all hybrids that mashed up inspin and antispin flowers would have body tracer corollaries.

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A fun move Keith Marshall came up with at IgNight--simple and yet quite elegant. The essential elements are to take vertically displaced hands working in split-opposites and use an extension and float to suggest a moment of split-time same direction before dropping the previously top hand via float into a static spin down below. Ronan, Thomas, and I all totally swooned for this when Keith came up with it.

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This comes from a FLAME challenge: Gina McGrath wanted to see a pentagram vs 2-petal inspin hybrid and Mike Parisi was the first to come up with a solution. I at first thought it was cheating because the hands oscillated between split and same time opposites but then realized what was actually happening was that both the patterns were completing simultaneously. Because the pentagram is a 1.5 downbeat move, it forces the pattern into this type of polyrhythm hand use. That set up a whole lot of exploration for different approaches to polyrhythms.

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The follow-up to my vid on Zan's diamond in all the different timing and direction combinations and polyrhythm hybrids. Here I demo all the monorhythm/even beat hybrids for Zan's diamond and discuss third-order CAPs, including the S-CAP and how it can work inside the Zan's diamond algorithm.

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Do all even beat hybrids have an accompanying body tracer? That's the question I posed after playing around with some of the body tracers Ted Petrosky taught in his workshop on the same topic at FLAME Festival. After tweaking one of the tracers he'd taught just slightly, I realized it was very similar to a body tracer I'd learned from Thomas "Nevisoul" Johansson. The original tracer he'd taught me turned out to also function as a 4-petal antispin vs 2-petal inspin hybrid.

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