Today's tutorial is on one of the less-performed antibrids, but still a personal favorite of mine: pendulum vs cateye. It's a helpful one to know because it includes transition points to go back and forth between isolation vs cateye, pendulum vs triquetra, and CAP vs pendulum--next week I'll cover the theory behind some of the transitions I use with these moves!
A cool poi trick that came out of an experiment from an earlier tech vid: when performing the transition from pendulum vs CAP to static vs point iso, that static vs point iso can serve to transition into either cateye vs iso or cateye vs isolated pendulum. Both have a really cool bouncy effect and make use of something I dearly love about poi: the capacity to create moves that establish relationships between the poi and hands.
Taking a thread from last week's video that included some fun uses of point isolations, here are a few that utilize the split-opposites timing and include either horizontal cateyes or pendulum vs CAP.
These are just a few fun pendulum-based moves I was working with over the weekend, including two based on patterns learned from Ronan at the Tahoe Flow Festival in September.
Some of my earliest tech blogs were on 1.5s and figuring out all the different types of them. A recent class from Ronan reminded me of some of this work and specifically a few ideas in them that I'd gotten wrong ;) Here is Ronan's approach to thinking about 1.5s and how timing direction work with them.
A few weeks ago, Alex Powell uploaded a great video of some interesting hybrids utilizing toroids in an atomic configuration. I started working on these same hybrids in other timing and direction combinations as well as some pendulum-based toroid hybrids after taking a pendulums class from Ronan in Tahoe. Here are the results.
Back at IgNight Festival in LA, I worked on a hybrid I'd never seen performed before that mixed up an isolated pendulum and a unit circle extension. By strange coincidence, I happened to see Ronan use another hybrid based in pendulums and extensions, but his used a CAP and a point isolation to achieve a slightly different effect. The two moves utilize a very similar kind of movement and work together really well.
A grab-bag of hand-switching throws I've either been working on or have encountered in the past couple months. The first is a triquetra vs pendulum hand switch Noel came up with during the same spin jam where I started working on the triquetra vs pendulum throw from the last tech blog. The second is a hand-switch that comes out of a snake that I've had a hell of a time getting clean these past few months. The third is a hand-switch I spotted Matt Cullen using a lot during a spin session he did at PEX Summer Festival.
Here's a fun move that came out of a spin jam with Noel over the weekend at PEX Summer Festival: taking a no-beat throw and apply it to an antispin placement such that the top petal of triquetra vs pendulum winds up being a toss. This can be done either in front of the body or behind. I'm playing with my format a little bit a presenting the move both by narrating through it and showing it normal time and slowed down--let me know what you think of this format.
This is one of those really obvious a ha moments I can't believe I didn't catch onto earlier: most of the transitions out of triquetra vs pendulum I've played with thus far have been at either the top, bottom, or side positions of the move. But if you attempt a transition at 45 degrees off of the top position, the poi heads are in the perfect position for a quarter-time transition! Here are three patterns that make use of this phenomenon.
