More STSD hybridy goodness! This time I'm taking the concept of an 8-step CAP with it a little more literally and utilizing the space created by CAP vs BTH static to take the CAP hand around in an 8-step pattern while maintaining the STSD synchronization with the BTH hand.

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Taking a concept I've done and done to death, I wanted to add some out of phase flavoring to it. Taking the idea of the same time same direction hybrid Yuta taught me at Firedrums last year, I'm switching it up so that each hand has a different axis to perform its petals on and working through them in quarters. It's got a nifty quarter-time feel to it even as the poi stay in same time same direction all the way around.

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Here's an attempt to tie together a whole bunch of different threads from some recent videos both myself and some others have made. First up, e6 posted a video over the weekend about timing and direction where he pointed out the difficulties in making the traditional T&D combinations work with flowers that have an odd number of petals. In an odd bit of synchronicity, Justin Benson posted a video displaying an example of just that--wherein he takes a pentagram into split opposites by creating two pentagrams that reflect each other across a given axis.

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A couple cool ideas based upon triquetra vs pendulum, which kind of fudges the triquetra pattern to create something more akin to two different flowers cut and pasted together. Here I take the same idea and apply it to triquetras and 6-petal antispin flowers to create a new composite and hybridize it both with another triquetra and triquetra's inspin equivalent: 1-petal inspin. Note to self: when recording a video on St. Patrick's Day, do the video before the drinking begins--otherwise I talk a record sped up to double speed :-P

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Last week Charlie posted a video to the Facebook Tech Poi Group of an 8-step CAP based in a 2-petal inspin vs 4-petal antispin hybrid. Having encountered this hybrid before when learning same time same direction hybrids from Yuta at last year's Firedrums, I realized that for any hybrid where you combine an inspin and antispin flower that have the same number of downbeats, they will maintain a constant timing and direction all the way around the pattern. Here are three examples in both same time same direction and split time same direction.

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Here is a grab-bag of combos inspired by Noel's recent vid on horizontal stacking flow and Poiboi's latest opus to his own form of poi wizardry. Some of these even integrate elements of both styles, but by and large I just had a lot of combo ideas and no idea how to present them. Thankfully it also gave me a perfect opportunity to use a track my friend Conway (Mr. Jennings) dropped on New Year's Eve and has been tickling my ears ever since.

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I started playing with this trick earlier in the week...it incorporates elements of the quarter-time floats/stalls that Poiboi and Mel have been using, but drops in and out of a horizontal cateye vs isolation antibrid at each end. I've been sticking pendulum vs CAPs in the same spot and figured I would just skip the middle figure. I like that it has an interesting start-stop dynamic to it.

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I ran across a cool performance video of Yuta in the Flowspace last week that reminded me of something I'd begun playing with months ago but hadn't pursued very far: moves that involve wrapping one or both poi around their own hand. I spent a good portion of the weekend playing around with these moves in same time same direction and split time same direction, pulling out some moves I've seen both Ronan and Yuta do in their performances as well as and idea of my own.

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Last week I uploaded a tutorial on horizontal cateyes performed in split opposites and got some feedback that the cateyes were looking a little too much like floats, so I've spent a big part of the past week working on cleaning them up both by doing some older tricks I'm a big fan of and trying some newer ones. I used horizontal cateye vs isolation hybrids to check my hand spacing, horizontal cateye vs extension to check my hands' timing and direction, and a pair of triquetras arranged in a Star of David configuration to get a rough idea of what they should look like.

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Two more fundamental components of horizontal stacking explored here: the cateye and the point isolation. Neither of these moves is very stable and both require a little big of fudging to line up perfectly with the other poi, but there's still some cool applications for using them both--especially in the last pattern outlined here. Sorry about the uninspired music choice, though...it's nearly 1:30 AM and I just don't feel like digging through my music collection for something else :-P

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