This was one of the last pieces of tech I learned at FLAME and came out of a skill share that happened back at Kinetic Hive after we got back from the festival. It was born out of the idea of combining 1.5s with body tracers and we realized our basic pattern had a lot in common with a 1.5 CAP that Mireneye came up with years ago. Here also are two variants that Ky and myself came up with.

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Featuring Kate McCoy! Kate taught an awesome class on fishtails at FLAME Festival near Atlanta, GA and we had some really cool breakthroughs in the course of it. One of which was a combo that utilized triquetra vs pendulum wherein the pendulum is performed with a fishtail pendulum. This made me think of a pendulum vs CAP, which sets you up for an interesting passing move wherein you switch which hand is holding which part of the poi.

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The first of a few weeks' worth of tutorials requested by you, my viewers! This first one is on cateyes, which I don't normally think of as a beginner trick, but the standards of such things have definitely changed since I started spinning. Here is the simplest way I know to break down a vertical cateye for all you folks out there who are working on this trick.

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Last week as I was working out Zan's diamond with toroids, Kory San made a request for a video on Zan's diamond and its accompanying hybrids. I'm splitting this into two videos: this first one covers the basic algorithms of Zan's diamond as a third-order motion and the polyrhythm hybrids that are available as a result of thinking of each section of the shape as a discrete triquetra. Next week I'll cover some variants that are even-downbeat and thus timing and direction remain consistent throughout.

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A commenter on my video about the crosser archer weave reminded me of a move Kate had demoed last year at Kinetic and in one of Noel's videos. I dug it back up to see what it had in common with the move I'd just played with. The answer: very little, but it was still a hell of a fun challenge :)

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The second in my transition tools series. This week we're talking about stalls--when you stop the poi's momentum and have the ability to reverse the direction of the poi if you want. Included here is a breakdown of how stalls work. Yay charts! :D

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A challenge from Jeffrey Bird on the Tech Poi Group on Facebook--he wanted to see Zan's diamond rendered in opposites split-time in toroids. It took a little bit of doing, but I actually think it's far cleaner than the split-time same direction version I demoed a couple weeks ago. Bonus: I also decided to demo the same-time opposites version of the pattern.

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Part 1 of transition tools--tricks you can use to switch between other tricks! This is on pendulums and 1.5s. Pendulums work by not allowing the poi to complete a circle and because of that they switch direction whenever they reach the height of their arc. One move that makes use of this phenomenon is the 1.5 beat weave and in this video I demo both how to learn the 1.5 beat weave and how to use it to switch to other moves.

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A couple years ago when I was traveling through Africa, my host wrote a computer program for me that worked both as a poi simulator as well as a mathematical tool for measuring the distance a poi head travels in each hypo and epitrochoid pattern I could dream up at the time. After comparing a lot of the numbers the program created, it turns out there are some really fascinating harmonic relationships that emerge when you combine moves that normally wouldn't go together as a result of a lack of alignment with either the poi heads or hands.

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Starting with a crosser that unwraps and rewraps via antispin and extension, this trick involves essentially freezing one of the hands on the non-native shoulder to force the other hand to do all the work. In keeping the timing and direction consistent, the result is a body tracer that actually cycles through different positions of an archer weave.

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