Sorry about the audio! Earlier this week, Alien Jon posted a video on a concept he was calling pulseweaves--an intersection between linear extensions and 3-beat weaves. Based upon his idea, I've been playing with a fountain that utilizes the grid we're familiar with playing with from elliptical CAPs. It has a funky side-effect in that moving around it antispin results in extensions in the middle, but moving around it inspin results in antispin petals in the middle.

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Okay, I'm really torn on this one having seen the video now. The flower described to me as antispin in the comments section of the last video had an upbeat between two petals and downbeat between two other petals. What I'm performing here is the first geometry I could find that conformed to the shape, but watching it now I think it's just a 2-beat corkscrew performed as a floor-plane flower. The "spiral" based flowers I played with before all had the motion of the poi head oriented at all times on a plane perpendicular to the orientation of the hand.

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Having played a little bit more with the concept of toroidal flowers I looked at in #100, I'm beginning to believe that they may lack a distinction between antispin and inspin variants. Specifically, it seems that no matter how I orient the rotation of the poi head to my hand as I turn with them, it results in the same number of downbeats and thus I'm pretty sure the same distance traveled by the poi head.

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This past weekend at the PEX Summer Festival, Noel showed me this bitchin' pattern wherein one uses an isolated pendulum on the end of a pendulum vs. CAP antibrid to switch the orientation of the hand to poi lineup. This opens the door for some switches into hybrids, some point isolation switches, and even an inverted pattern based upon one that Charlie was playing with at Wildfire. There's more patterns to be found in here!

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Hooray! Lucky number 100! There have been some awesome tricks and some awful ones...some weeks when I had no idea what to post and some when I physically couldn't record enough video for all the ideas I had. Through it all I really have appreciated all the support and encouragement from the larger community out there. Thanks so much for tuning in, challenging me, learning, and teaching me!

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I've got to confess that as much as partner poi has blown up over the course of the past year, I've yet to really see much of the appeal of it. Like degrees of twist, there comes to be a point where the more intricate the movements involved in it, the less graceful and more unnatural it comes off (and therefore, to my mind, the less entertaining to an uninitiated audience).

A bit of tech I started playing with at Firedrums that I'd totally forgotten about. After taking Ronan's Constructs class at FD, I started playing with a few of the patterns to see what hybrids were accessible from soft transitions out of the "constructs" he showed off. Here are the first two I found--both are iso vs. horizontal cateye antibrids that come out of pendulum hybrids performed a unit circle distance apart. I tried the first move in the latest Vulcan tech blog, but it was messy as hell. Here's what it looks like cleaned up.

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The summer session has begun at Contradiction Dance! If you'd like to hone your skills, get back up to speed, or pick up a set of poi for the first time, come join us at 925 Wayne Ave in Silver Spring, MD on Thursdays from 8-9:30 PM.

Lately I've been pushing exercises to solidify plane control in class as I'm noticing this is a frequent stumbling block for folks trying to get into more advanced technique. We're also playing with the wide, woolly world of 1.5s which for my money are the best way to switch between different combinations of timing and direction.

Another one of those poi avenues that I've either barely touched or just haven't bothered to polish since I started playing with it: contact poi! In this case I've been working on the subtype wherein you're treating the poi head like a contact juggling ball. I'm totally awful at contact juggling (though learning), but I'm still trying to work through this related type of manipulation. Here are four manipulations that Elemensce helped me through at Wildfire and the tips that made them work.

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I've spent a big portion of the past week trying to polish my plane shifts from antispin flowers to horizontal plane antispins and I wanted to share a couple of the drills I've been doing to get there. Mostly I've been taking same-time opposites flowers and plane shifting out of the sideways stalls and then executing a 90 degree turn. Being as how there are two directions of same time opposites antispin flowers to work with, the big mind-bender I've been working on this past week is switching between these two types with every turn.

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