Last week as I was working out Zan's diamond with toroids, Kory San made a request for a video on Zan's diamond and its accompanying hybrids. I'm splitting this into two videos: this first one covers the basic algorithms of Zan's diamond as a third-order motion and the polyrhythm hybrids that are available as a result of thinking of each section of the shape as a discrete triquetra. Next week I'll cover some variants that are even-downbeat and thus timing and direction remain consistent throughout.

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My second post-BM wrap up. Here's a couple moves I was playing with on the playa. I'm still digging on the hybrid family approach to finding transitions between moves and here are two that jumped out at me as I was playing in center camp. both are triquetra vs. pendulum combos, but one is at unit circle distance and another is with a hand-to-hand relationship. The unit circle distance one incorporates a stacking pattern from a recent tech blog--the combination of which is so delicious I haven't been able to stop playing with it since I found it.

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Christian posted a challenge on the Facebook Tech Poi group this past week asking for CAP vs cateye hybrid possibilities. Never one to back down from a challenge, I started working through it. I'll admit I haven't found anything yet that I feel is really that aesthetically pleasing, but here's what came out nonetheless.

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Lots of requests lately for a fire vid, so here's one of me performing at an informal spin jam on Thanksgiving night. Note when I whiff a BTB 5-beat waistwrap and My ubersloppy diagonal plane attempts ;)

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This past week, Alien Jon posted a tech blog featuring a funky approach to creating compound circles that bears some similarities to Nick Woolsey's concept of no-beat windmills and how they relate to poi. As I've been playing with it, I've found it's also a funky way to create polyrhythm hybrids.

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I must have done at least a dozen takes of this video...there are a lot of ideas I wanted to cram in here and kind of sketch out the line of thinking that led me to each of the conclusions outlined here, but it's hard to do that inside of ten minutes. Ultimately if this doesn't make sense, let me know which parts specifically and I'll do my best to clarify in later videos.

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Starting off with a variant on an antispin shape I played around with a few weeks back--this time I'm realizing one can switch back and forth between which hand is doing antispin and which is doing extension on the wrapping and unwrapping--an effect I think is really cool. Next, some more atomic flowers based upon stall patterns and a switch that I didn't realize I'd ripped off from Insignia. Finally, some hybrid turns with the triquetra--vs. pendulum and vs. static spin.

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