poiboi07 posted another sweet tech blog and I'm cribbing the first trick shamelessly from him. It's a pendulum vs. CAP hybrid that one then uses to perform a Yuta-style horizontal stall around either in a complete circle or 180 degrees. I'm finding it's a fun way to do an almost weave style turn back and forth and have added a vertical stall shift to the mix, making it an easy move to switch around in all three planes.

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 After working through trying to do a mode change in same direction with Charlie's 9-square theory, I came up with an interesting solution that involves using soft transitions across a unit circle grid to switch between box and diamond mode. The idea for this is centered on isopops from hooping and more specifically how you can change circle size by treating them as adjacent circles rather than dilations of the same circle. Included is a demo of how this technique can be used to switch between iso vs cateye antibrid to static vs triquetra antibrid to iso vs extension and back again.

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This past week, Zan posted a great video on diagonal planes that included an exercise that does an amazing job of cleaning up diagonals--seriously, well done :) Playing with diagonals has me thinking about having planes offset by degree differences other than 0, 90 or 180, and here is an example of plane switching between planes at are offset by degrees based in 3 or 5 rather than 4. Next, over the weekend, Chris Rovo showed me a pattern he'd been working on wherein an atomic flower switches to atomic weave and over to another atomic flower.

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This past week, Alien Jon posted a tech blog featuring a funky approach to creating compound circles that bears some similarities to Nick Woolsey's concept of no-beat windmills and how they relate to poi. As I've been playing with it, I've found it's also a funky way to create polyrhythm hybrids.

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I'm taking a week off from last week's theory-intensive video to show off a couple tricks I've been playing with in the interrim. First off is a combo: meltdown - under the leg throw - 1.5 - antispin flower - spiral wrap. If you can nail the throw, the rest of it flows together incredibly smoothly. Next, after seeing the videos coming out of Russia from the Antispinners crew, I'm working to make my antispin flowers and stall switches to change direction cleaner.

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I must have done at least a dozen takes of this video...there are a lot of ideas I wanted to cram in here and kind of sketch out the line of thinking that led me to each of the conclusions outlined here, but it's hard to do that inside of ten minutes. Ultimately if this doesn't make sense, let me know which parts specifically and I'll do my best to clarify in later videos.

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A couple updates from moves of the past week: a quarter-time float out of the now-familiar stall-switch pattern and learning how to plane-shift in same direction. This leads to an atomic weave performed in diagonal planes, which I demo a variant of the Notcoleman3 in here. Finally, a couple thoughts on "hard" versus "soft" transitions based upon charlicopter's 9-square poi theory videos. There is definitely some potential here and I like the idea of moving between grids as well as adding pendulums into the mix.

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A quick break from the past two weeks' theory-heavy blogs. Here are a couple random moves I've been working on in the interrim that I wanted to show off. First is drilling my way through a type of plane-bending that G is now famous for--switching between inswing linear isolations (they could also be CAPs) and horizontal linear isolations. Next are some exotic pendulum stalls I picked up from watching a recent Ronan video. I'm a huge fan of these types of stalls and keep finding new applications for them.

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First up, I have a new website that is now hosting all my videos and minutia: please visit me on the web at http://www.drexfactor.com

Next, a quick update to last week's musings on hybrid theory. A possible hole and a fix to it...beyond that, a reply from Alien Jon got my creative juices flowing and here are five results of thinking of CAPs as segments of motion and hybrids as opposing versions of the same types of motion. These are awkward but I can see a lot of possibilities as to where thinking of motion this way could lead.

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Thanks to Insignia's excellent post on hybrids, I've spent the past week reexamining the concept and working through some of the logical conundrums it presents. I find the idea of a hybrid being "a combination of two driving styles" problematic because I can't find a definition for driving style that isn't loose enough that potentially any type of movement could be considered a driving style. I think there is a simpler way to define them and it is presented here. Please please send me feedback on this one--let me know if this definition makes sense.

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